diff --git a/docs/counter-proposal.md b/docs/counter-proposal.md index ce285f0..cf93d59 100644 --- a/docs/counter-proposal.md +++ b/docs/counter-proposal.md @@ -35,8 +35,10 @@ in it every day, a school group spending a day there, and the indigenous and community stakeholders whose heritage it represents. Together they describe one consistent building, seen from four sides. -*(Illustration: the museum seen from the corner of Av. Eloy Alfaro and Av. -de la República)* +![The museum seen from the corner of Av. Eloy Alfaro and Av. de la República](images/01-exterior-corner-view.jpg) + +*The museum seen from the corner of Av. Eloy Alfaro and Av. de la +República.* --- @@ -69,7 +71,9 @@ a tectonic history of the country: dark stone at the earth, thick limewashed tapial and adobe above it, and a lighter crown of timber and bahareque beneath the roofs. -*(Illustration: the stepped street elevation and roofscape)* +![The stepped street elevation and roofscape](images/02-stepped-street-elevation.jpg) + +*The stepped street elevation and roofscape.* ### The Civic Atrio @@ -86,7 +90,9 @@ walls and secondary wings; yet from the drop-off, the entrance portal remains clearly in view, so no one arrives through a back door by mistake. -*(Illustration: the Civic Atrio, ceremonial steps, school group arriving)* +![The Civic Atrio, ceremonial steps, school group arriving](images/03-civic-atrio.jpg) + +*The Civic Atrio, ceremonial steps, school group arriving.* ### Threshold: portal and zaguán @@ -101,7 +107,9 @@ opens suddenly onto sunlight, trees, moving water, and the first patio. The transition is staged and bodily: street, atrio, portal, zaguán, patio — the museum never exposes itself all at once. -*(Illustration: the entrance portal, five-bay rhythm)* +![The entrance portal](images/04-entrance-portal.jpg) + +*The entrance portal.* ### The Patio of Origins @@ -118,7 +126,9 @@ breaks, visitors stand under the corredor and watch the rain work across the court; when the sun returns minutes later, that same sheltered edge becomes a warm place to sit. -*(Illustration: the Patio of Origins, water channel, community room door)* +![The Patio of Origins, water channel, community room door](images/05-patio-of-origins.jpg) + +*The Patio of Origins, water channel, community room door.* ### The Great Hall @@ -137,8 +147,9 @@ the upper landings, windows and balconies give repeated views back to the entrance patio, so visitors constantly re-orient themselves without signage. -*(Illustration: the Great Hall interior, timber roof structure, retablo -wall)* +![The Great Hall interior, timber roof structure, retablo wall](images/06-great-hall-interior.jpg) + +*The Great Hall interior, timber roof structure, retablo wall.* ### Realms and thoroughfares @@ -157,7 +168,9 @@ their edges lined with seating, exhibit windows, doorways, and views into conservation and education work. Walking is part of the visit, not leftover space between galleries. -*(Illustration: a wide, daylit circulation gallery, seating along one edge)* +![A wide, daylit circulation gallery, seating along one edge](images/07-circulation-gallery.jpg) + +*A wide, daylit circulation gallery, seating along one edge.* ### The ascent of the collections @@ -202,8 +215,13 @@ luminous corredores, window bays, patios, and resting places. No visitor is held for hours without contact with daylight, weather, vegetation, or the position of the sun. -*(Illustration: the historical gallery route with a common-room bay; the -artistic wing's balcón and rooftop lookout)* +![The historical gallery route with a common-room bay](images/08-corredor-of-time.jpg) + +*The historical gallery route with a common-room bay.* + +![The artistic wing's balcón and rooftop lookout](images/09-artistic-wing-balcon-mirador.jpg) + +*The artistic wing's balcón and rooftop lookout.* ### Edges, courts, and gardens @@ -221,7 +239,9 @@ exhibition being mounted, an artifact being documented — making visible the human labor by which cultural memory is preserved. Terraces, steps, and sitting walls blur the line where building ends and earth begins. -*(Illustration: a deep recessed balcony, the café terrace and garden)* +![A deep recessed balcony, the café terrace and garden](images/10-cafe-terrace-garden.jpg) + +*A deep recessed balcony, the café terrace and garden.* ### Look and feel @@ -243,8 +263,13 @@ range it is animated by moving sunlight, deep shadow, timber, planting, and people. Color lives on doors, windows, rails, and chosen interior elements — never spread indiscriminately across the building. -*(Illustration: close-up of stonework detail at the portal; the color -palette across a typical courtyard elevation)* +![Close-up of stonework detail at the portal](images/11-stonework-detail.jpg) + +*Close-up of stonework detail at the portal.* + +![The color palette across a typical courtyard elevation](images/12-courtyard-elevation-palette.jpg) + +*The color palette across a typical courtyard elevation.* ### Ornamental treatment @@ -288,8 +313,9 @@ earthen rooms, inhabited thresholds, living courts, crafted timber, rain-bearing roofs, and a few carefully concentrated moments of celebration. -*(Illustration: the view back toward the Civic Atrio and street from the -entrance room)* +![The view back toward the Civic Atrio and street from the entrance room](images/13-departure.jpg) + +*The view back toward the Civic Atrio and street from the entrance room.* --- diff 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