Add paired narrative excerpts and images to paper/paper.md (ecuador-0fn)

New section 4.5 quotes the corner-arrival, entrance-threshold, and
Patio-of-Origins passages from both tracks side by side (they turn out
to be near-verbatim identical, sharpening the shared-root-narrative
finding from the previous revision), each paired with one image from
each track. Track B images are added as compressed, paper-specific
copies at paper/images/ (originals in docs/images-salingaros/ are full
resolution PNGs); Track A images are referenced directly from
docs/images/.

One Track B image is used as-is despite showing hallucinated wall
signage ("Museo America Andina" instead of "Museo Nacional del
Ecuador") - kept deliberately as honest, concrete evidence for the
symposium's hallucination critique in section 5, rather than cropped
out.

Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>

.beads/interactions.jsonl

@@ -15,3 +15,4 @@
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 {"id":"int-a8a82bd1","kind":"field_change","created_at":"2026-07-18T20:47:07.720751243Z","actor":"Bruno Postle","issue_id":"ecuador-j4n","extra":{"field":"status","new_value":"closed","old_value":"open","reason":"docs/illustration-prompts.md rewritten: each of the 13 prompts now has the full shared style guide pasted literally inline (no cross-reference placeholder), so any single prompt can be copied straight into an image generator"}}
 {"id":"int-efe834f8","kind":"field_change","created_at":"2026-07-24T18:52:02.458487025Z","actor":"Bruno Postle","issue_id":"ecuador-vay","extra":{"field":"status","new_value":"closed","old_value":"in_progress","reason":"Wrote templates/form-language-prompt-template.md, reviewed for failure modes (hallucination/unverified search claims, region-scale coherence, buildability disclaimer, sacred-motif caution) and applied fixes"}}
+{"id":"int-c065f0e9","kind":"field_change","created_at":"2026-07-24T22:58:17.770463271Z","actor":"Bruno Postle","issue_id":"ecuador-0fn","extra":{"field":"status","new_value":"closed","old_value":"in_progress","reason":"Added paired narrative excerpts and images (new paper/paper.md section 4.5) with paper-specific compressed copies of Track B images at paper/images/"}}

paper/paper.md

@@ -376,6 +376,110 @@ of the form language's specific vocabulary directly into each image,
 where Midjourney's shorter prompts left more to the generator's own
 defaults. This is a hypothesis, not a verified finding (see §6.3).
 
+### 4.5 Three Passages, Two Image Sets
+
+The claims in §4.1–§4.4 are easier to judge from the material itself than
+from a description of it. This section shows three moments of the museum
+— the corner arrival, the entrance threshold, and the first patio — each
+as text from both tracks and as one image from each track's set.
+
+**The corner arrival.** Both tracks open their description of the
+building from the same street corner, in near-identical language. Track
+A (Postle, reproducing the shared root narrative almost verbatim):
+
+> From the corner of Avenida Eloy Alfaro and Avenida de la República, the
+> museum does not announce itself as a single monumental object. It
+> appears as a gathered family of white and grey masonry volumes rising
+> from a broad platform of dark andesite... The building reads vertically
+> as a tectonic history of the country: dark stone at the earth, thick
+> limewashed tapial and adobe above it, and a lighter crown of timber and
+> bahareque beneath the roofs.
+> — `narratives/01-visitor.md`
+
+Track B (Salingaros, same opening, independently elaborated):
+
+> From the corner of Avenida Eloy Alfaro and Avenida de la República, the
+> museum appears as a gathered family of white and grey masonry volumes
+> rising from a terraced platform of dark andesite. The ground itself is
+> shaped the way Andean building ground has always been shaped: slopes
+> are carved into terraces of fitted stone, their retaining faces
+> inclining slightly inward with the visual stability of pre-Columbian
+> masonry... Against this field of tile, a small number of skyline events
+> are reserved for the communal cores: a glazed lantern over the stair
+> hall, a sculpted finial rising above the education wing.
+> — `docs/3.Casa-de-la-Memoria-Ecuatoriana-Design-Narrative-Museo-Nacional-del-Ecuador.txt`
+
+The two images below illustrate the same corner. Figure 1 is Track A's
+watercolor register; Figure 2 is Track B's photo-realistic register —
+the divergence discussed in §4.4 and §6.3, visible directly rather than
+only described.
+
+![Track A: the museum seen from the corner of Av. Eloy Alfaro and Av. de la República, Midjourney, watercolor and gouache register.](../docs/images/01-exterior-corner-view.jpg)
+
+*Figure 1. Track A (Postle/Midjourney).*
+
+![Track B: the same corner, ChatGPT, photo-realistic register.](images/track-b-01-corner-aerial.jpg)
+
+*Figure 2. Track B (Salingaros/ChatGPT).*
+
+**The entrance threshold.** This passage is the source of the
+five-bay/three-arch discrepancy discussed in §6.1, and both tracks state
+the same "five bays" claim, again in near-identical wording:
+
+> The entrance projects from the façade as a deep stone portal composed
+> in a rhythm of five bays — unmistakable from both avenues, but not
+> overpowering... The transition is staged and bodily: street, atrio,
+> portal, zaguán, patio — the museum never exposes itself all at once.
+> — `narratives/01-visitor.md`
+
+> The entrance projects from the façade as a deep stone portal composed
+> in a rhythm of five bays — unmistakable from both avenues, its central
+> bay carrying the finest carving and the great recessed wooden doors.
+> Within those doors, a postigo, a pedestrian door-within-a-door, admits
+> visitors at daily scale, so the museum is entered the way Ecuadorian
+> buildings have always been entered.
+> — `docs/3.Casa-de-la-Memoria-Ecuatoriana-Design-Narrative-Museo-Nacional-del-Ecuador.txt`
+
+Neither track's entrance image matches this shared text, and the two
+images do not match each other either: Track A's shows a three-arched
+loggia (Figure 3); Track B's shows a single deep portal with no
+bay rhythm at all (Figure 4). This is the clearest available
+demonstration of §6.1's point — a coordinated *text* does not produce a
+coordinated *building*, because nothing connects either image-generation
+stage back to the written bay count.
+
+![Track A: the entrance portal, three arches shown against a text describing five bays.](../docs/images/04-entrance-portal.jpg)
+
+*Figure 3. Track A (Postle/Midjourney).*
+
+![Track B: an alternative entrance portal treatment, a single deep archway.](images/track-b-02-entrance-portal.jpg)
+
+*Figure 4. Track B (Salingaros/ChatGPT).*
+
+**The Patio of Origins.** Again near-identical text:
+
+> The first realm is the Patio of Origins, proportioned so that the high
+> equatorial sun reaches the paving and planting while the surrounding
+> corredores remain in shade... Rainwater falls from expressed canales
+> into shallow stone-lined rills that cross the court toward planted
+> basins.
+> — `narratives/01-visitor.md`
+
+Figures 5 and 6 show the same courtyard moment in each register. Track
+B's image (Figure 6) is also a useful, unflattering instance of the
+hallucination symposium participants warned about in §5: its building
+signage reads "Museo América Andina," not "Museo Nacional del Ecuador"
+— a small, honest example of the kind of close-inspection error the
+critique in §5 describes, preserved here rather than cropped out.
+
+![Track A: the Patio of Origins, with a fountain and colonnade.](../docs/images/05-patio-of-origins.jpg)
+
+*Figure 5. Track A (Postle/Midjourney).*
+
+![Track B: a courtyard with fountain and colonnade; the wall signage reads "Museo América Andina," an instance of the hallucination discussed in §5.](images/track-b-03-patio-fountain.jpg)
+
+*Figure 6. Track B (Salingaros/ChatGPT). Signage error visible on the right-hand wall.*
+
 ## 5. Reception: Informal Peer Engagement at the July 2026 Symposium
 
 On 23 July 2026, this counter-proposal project was discussed at a public
@@ -555,5 +659,8 @@ formal references:
   `docs/3.Casa-de-la-Memoria-Ecuatoriana-Design-Narrative-Museo-Nacional-del-Ecuador.txt`;
   `docs/images-salingaros/`; process report,
   `docs/From-Pattern-Language-to-Architectural-Image-Salingaros-revised.md`
+- Paper-specific figure copies (Track B images, resized/compressed for
+  this document; Track A figures are referenced directly from
+  `docs/images/`): `paper/images/`
 - Symposium transcript: `ref/youtube-transcript-2026-07-23.txt`
 - Winning-scheme critique transcript: `ref/youtube-transcript.txt`