Embed the 13 generated illustrations into the counter-proposal document

Adds the AI-generated images (from the prompts in
docs/illustration-prompts.md) into docs/counter-proposal.md in place of
the illustration placeholders. Full-resolution PNG originals are kept in
docs/images/originals/ for future high-quality use; docs/images/*.jpg are
downscaled-quality copies embedded in the document and docx export to
keep file size reasonable for email.

Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>

docs/counter-proposal.md

@@ -35,8 +35,10 @@ in it every day, a school group spending a day there, and the indigenous
 and community stakeholders whose heritage it represents. Together they
 describe one consistent building, seen from four sides.
 
-*(Illustration: the museum seen from the corner of Av. Eloy Alfaro and Av.
+![The museum seen from the corner of Av. Eloy Alfaro and Av. de la República](images/01-exterior-corner-view.jpg)
-de la República)*
+
+*The museum seen from the corner of Av. Eloy Alfaro and Av. de la
+República.*
 
 ---
 
@@ -69,7 +71,9 @@ a tectonic history of the country: dark stone at the earth, thick
 limewashed tapial and adobe above it, and a lighter crown of timber and
 bahareque beneath the roofs.
 
-*(Illustration: the stepped street elevation and roofscape)*
+![The stepped street elevation and roofscape](images/02-stepped-street-elevation.jpg)
+
+*The stepped street elevation and roofscape.*
 
 ### The Civic Atrio
 
@@ -86,7 +90,9 @@ walls and secondary wings; yet from the drop-off, the entrance portal
 remains clearly in view, so no one arrives through a back door by
 mistake.
 
-*(Illustration: the Civic Atrio, ceremonial steps, school group arriving)*
+![The Civic Atrio, ceremonial steps, school group arriving](images/03-civic-atrio.jpg)
+
+*The Civic Atrio, ceremonial steps, school group arriving.*
 
 ### Threshold: portal and zaguán
 
@@ -101,7 +107,9 @@ opens suddenly onto sunlight, trees, moving water, and the first patio.
 The transition is staged and bodily: street, atrio, portal, zaguán, patio
 — the museum never exposes itself all at once.
 
-*(Illustration: the entrance portal, five-bay rhythm)*
+![The entrance portal](images/04-entrance-portal.jpg)
+
+*The entrance portal.*
 
 ### The Patio of Origins
 
@@ -118,7 +126,9 @@ breaks, visitors stand under the corredor and watch the rain work across
 the court; when the sun returns minutes later, that same sheltered edge
 becomes a warm place to sit.
 
-*(Illustration: the Patio of Origins, water channel, community room door)*
+![The Patio of Origins, water channel, community room door](images/05-patio-of-origins.jpg)
+
+*The Patio of Origins, water channel, community room door.*
 
 ### The Great Hall
 
@@ -137,8 +147,9 @@ the upper landings, windows and balconies give repeated views back to the
 entrance patio, so visitors constantly re-orient themselves without
 signage.
 
-*(Illustration: the Great Hall interior, timber roof structure, retablo
+![The Great Hall interior, timber roof structure, retablo wall](images/06-great-hall-interior.jpg)
-wall)*
+
+*The Great Hall interior, timber roof structure, retablo wall.*
 
 ### Realms and thoroughfares
 
@@ -157,7 +168,9 @@ their edges lined with seating, exhibit windows, doorways, and views into
 conservation and education work. Walking is part of the visit, not
 leftover space between galleries.
 
-*(Illustration: a wide, daylit circulation gallery, seating along one edge)*
+![A wide, daylit circulation gallery, seating along one edge](images/07-circulation-gallery.jpg)
+
+*A wide, daylit circulation gallery, seating along one edge.*
 
 ### The ascent of the collections
 
@@ -202,8 +215,13 @@ luminous corredores, window bays, patios, and resting places. No visitor
 is held for hours without contact with daylight, weather, vegetation, or
 the position of the sun.
 
-*(Illustration: the historical gallery route with a common-room bay; the
+![The historical gallery route with a common-room bay](images/08-corredor-of-time.jpg)
-artistic wing's balcón and rooftop lookout)*
+
+*The historical gallery route with a common-room bay.*
+
+![The artistic wing's balcón and rooftop lookout](images/09-artistic-wing-balcon-mirador.jpg)
+
+*The artistic wing's balcón and rooftop lookout.*
 
 ### Edges, courts, and gardens
 
@@ -221,7 +239,9 @@ exhibition being mounted, an artifact being documented — making visible
 the human labor by which cultural memory is preserved. Terraces, steps,
 and sitting walls blur the line where building ends and earth begins.
 
-*(Illustration: a deep recessed balcony, the café terrace and garden)*
+![A deep recessed balcony, the café terrace and garden](images/10-cafe-terrace-garden.jpg)
+
+*A deep recessed balcony, the café terrace and garden.*
 
 ### Look and feel
 
@@ -243,8 +263,13 @@ range it is animated by moving sunlight, deep shadow, timber, planting,
 and people. Color lives on doors, windows, rails, and chosen interior
 elements — never spread indiscriminately across the building.
 
-*(Illustration: close-up of stonework detail at the portal; the color
+![Close-up of stonework detail at the portal](images/11-stonework-detail.jpg)
-palette across a typical courtyard elevation)*
+
+*Close-up of stonework detail at the portal.*
+
+![The color palette across a typical courtyard elevation](images/12-courtyard-elevation-palette.jpg)
+
+*The color palette across a typical courtyard elevation.*
 
 ### Ornamental treatment
 
@@ -288,8 +313,9 @@ earthen rooms, inhabited thresholds, living courts, crafted timber,
 rain-bearing roofs, and a few carefully concentrated moments of
 celebration.
 
-*(Illustration: the view back toward the Civic Atrio and street from the
+![The view back toward the Civic Atrio and street from the entrance room](images/13-departure.jpg)
-entrance room)*
+
+*The view back toward the Civic Atrio and street from the entrance room.*
 
 ---