The repo outgrew a single-project layout: the reusable form-language
template and the draft paper about the method were mixed in with
Ecuador-specific ref/narratives/docs, and a second real project (Harbor
House) had been growing inside templates/examples/ despite no longer
being just a template demo. Split into:
- method/ - the generalized form-language prompt template and the
paper about the method, project-agnostic
- projects/ecuador-museum/ - the original counter-proposal (ref/,
narratives/, docs/, unchanged in content)
- projects/harbor-house/ - promoted out of templates/examples/, now a
peer project with its own ref/narratives/docs, including previously
untracked pattern subset, narrative, and illustration material
Root CLAUDE.md now covers the shared method and repo-wide conventions;
each project gets its own CLAUDE.md with project-specific brief,
inputs, and status. Updated all internal path references (paper.md,
outline.md, per-project CLAUDE.md, settings.local.json). Dropped stray
scratch files superseded by proper copies (all.txt, the already-
converted pattern-language PDF).
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
New section 4.5 quotes the corner-arrival, entrance-threshold, and
Patio-of-Origins passages from both tracks side by side (they turn out
to be near-verbatim identical, sharpening the shared-root-narrative
finding from the previous revision), each paired with one image from
each track. Track B images are added as compressed, paper-specific
copies at paper/images/ (originals in docs/images-salingaros/ are full
resolution PNGs); Track A images are referenced directly from
docs/images/.
One Track B image is used as-is despite showing hallucinated wall
signage ("Museo America Andina" instead of "Museo Nacional del
Ecuador") - kept deliberately as honest, concrete evidence for the
symposium's hallucination critique in section 5, rather than cropped
out.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
